Palm Sunday Audacity: Love Remains



Palm Sunday. The day of Jesus’ brilliant subversion of the Empire—mocking both the Roman authorities and the Jewish religious authorities. Such audacity. If the disciples were anxious for Jesus before they returned to Jerusalem, I can only imagine how they felt when Jesus entered Jerusalem with all that fanfare.

Jesus wasn’t subtle on Palm Sunday. He took on the establishment—the Empire—in outlandish ways: miracles on the Sabbath, teaching in the synagogue, growing up in Nazareth, continuously challenging the religious authorities.

Then Palm Sunday. The crowd in Jerusalem asked, “Who is this man?” I’m sure the religious authorities asked that question long before Palm Sunday with increasing bewilderment to annoyance to anger to fury to planning his assassination.

The religious authorities also asked: “Who does he think he is?”

Who did Jesus think he was?

God. Showing us Love.

  • Love that continuously flows toward us.
  • Love that is beyond our comprehension.
  • Love that we receive in small amounts because receiving larger amounts is overwhelming for us.
  • Love that believes all things, hopes all things, endures all things.
  • Love is. Love is generous and kind, thinking the best of the Other, of wanting what is best for the Other.
  • Love is humble—not boastful or needing to elbow Others out of their place in line.
  • Love doesn’t classify who is important and who isn’t important.
  • Love doesn’t judge but honors Others.

The ways of the Empire do not work in Love. The Empire views Love as a threat and will do whatever is necessary to squelch Love. The Empire believes it has ultimate control and power (although how hard it works to maintain power reveals how slippery that power actually is). The Empire doesn’t really understand that Love is the real power—kindheartedness, gentleness, humility, modesty, generosity, yieldedness. These qualities are perceived by the Empire as weaknesses and foolishness and responds with disdain and sneers.

But Love remains. Despite all the attempts of the Empire to squelch Love, Love remains.

(For an earlier Palm Sunday reflection, here).


Giotto, 1266?-1337. The Entry into Jerusalem, from Art in the Christian Tradition, a project of the Vanderbilt Divinity Library, Nashville, TN.

Palm Sunday Subversion


“One place where Pine Ridge reservation sports teams used to get harassed regularly was in the high school gymnasium in Lead, South Dakota. Lead is a town of about 3,200 northwest of the reservation, in the Black Hills. It is laid out among the mines that are its main industry, and low, wooded mountains hedge it round. The brick high school building is set into a hillside. The school’s only gym in those days was small, with tiers of gray-painted concrete on which the spectator benches descended from just below the steel-beamed roof to the very edge of the basketball court–an arrangement that greatly magnified the interior noise.

In the fall of 1988, the Pine Ridge Lady Thorpes went to Lead to play a basketball game.  SuAnne was a full member of the team by then. She was a freshman, fourteen years old. Getting ready in the locker room, the Pine Ridge girls could hear the din from the fans. They were yelling fake-Indian war cries, a “woo-woo-woo” sound. The usual plan for the pre-game warm-up was for the visiting team to run onto the court in a line, take a lap or two around the floor, shoot some baskets, and then go to their bench at court side. After that, the home team would come out and do the same, and then the game would begin. Usually the Thorpes lined up for their entry more or less according to height, which meant that senior Doni De Cory, one of the tallest, went first. As the team waited in the hallway leading from the locker room, the heckling got louder. The Lead fans were yelling epithets like “squaw” and “gut-eater.” Some were waving food stamps, a reference to the reservation’s receiving federal aid. Others yelled, “Where’s the cheese?”–the joke being that if Indians were lining up, it must be to get commodity cheese. The Lead high school band had joined in with fake-Indian drumming. Doni De Cory looked out the door and told her teammates, “I can’t handle this.” SuAnne quickly offered to go first in her place. She was so eager that Doni became suspicious. “Don’t embarrass us,” Doni told her. SuAnne said, “I won’t. I won’t embarrass you.” Doni gave her the ball, and SuAnne stood first in line.

She came running onto the court dribbling the basketball, with her teammates running behind. On the court, the noise was deafeningly loud. SuAnne went right down the middle; but instead of running a full lap, she suddenly stopped when she got to center court. Her teammates were taken by surprise, and some bumped into one another. Coach Zimiga at the rear of the line did not know why they had stopped. SuAnne turned to Doni De Cory and tossed her the ball.  Then she stepped into the jump-ball circle at center court, in front of the Lead fans. She unbuttoned her warm-up jacket, took it off, draped it over her shoulders, and began to do the Lakota shawl dance. SuAnne knew all the traditional dances–she had competed in many powwows as a little girl–and the dance she chose is a young woman’s dance, graceful and modest and show-offy all at the same time. “I couldn’t believe it–she was powwowin’, like ‘get down!’” Don De Cory recalled. “And then she started to sing.” SuAnne began to sing in Lakota, swaying back and forth in the jump-ball circle, doing the shawl dance, using her warm-up jacket for a shawl. The crowd went completely silent. “All that stuff the Lead fans were yelling–it was like she reversed it somehow,” a teammate said. In the sudden quiet, all you could hear was her Lakota song. SuAnne stood up, dropped her jacket, took the ball from Doni De Cory, and ran a lap around the court dribbling expertly and fast. The fans began to cheer and applaud. She sprinted to the basket, went up in the air, and laid the ball through the hoop, with the fans cheering loudly now. Of course, Pine Ridge went on to win the game.”  (From On the Rez by Ian Frazier, Farrar, Straus, and Giroux, 2000)

Both SuAnne’s story and the story of Jesus riding into Jerusalem on a donkey are stories about subversive actions. They both subverted the expectations of the people. SuAnne subverted the expectations of the basketball fans who wanted to continue Native American stereotypes. Jesus subverted the hopes and expectations of the Israelites who wanted a king.

The Israelites were under Roman occupation while the Jewish religious leaders were in collaboration with the Roman occupying force with rebellious Jewish skirmishes around the countryside. The people wanted to be free of the Roman empire via a king (or a warrior messiah) to emancipate them from the Romans. And this where Jesus enters the scene.


Jesus often used the language of paradox and reversal to shatter the conventional wisdom and expectations. Jesus subverts the powerful symbol of a king riding amongst his adoring subjects to reverse the common understanding of power, status and rule. As he did with the cleansing of the Temple, Jesus takes action–a rather provocative action much like an Old Testament prophet would take–to demonstrate the character of God.

Additionally, Jesus uses his donkey ride as an additional lesson in the reign of God.  Jesus frequently spoke of the kingdom of God in the language of impossible or unexpected combinations. The kingdom, which is something great, is compared to something very tiny: it is like “a grain of mustard seed.” Not only is the see tiny but mustard is a weed– thus, the reign of God is like a weed. Also, the kingdom is for children, who were nobodies—therefore, the the kingdom is for nobodies. Additionally, Jesus models this upside kingdom by dining (or, fellowshiping) with outcasts—so, the kingdom is like a banquet of outcasts, of nobodies. In the realm of God, those who are broken will be blessed.

Perhaps Jesus’ parody of a celebrated king is a gentle poke at us as well as the religious authorities of his day: God is not interested in status, whether it’s religious, or political, or material. Rather, God desires that we follow—that we become like—the One who was born in a barn and is preparing to die a criminal’s death.

The spectators of Lead, South Dakota wanted “Injuns” and SuAnne gave them an “Injun”–but did it with a power and grace that subverted the entire scene. The Israelites wanted a king and Jesus gave them a king–but did it with a donkey and days before his death by subverting all expectations and understandings at what Jesus’ kingdom was about–where the marginalized, the wounded, discouraged, powerless, and sick belong.